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Mica powder is a pigment used in a binder like varnish or
shellac to create metallic finishes. The advantage mica has
over metal flakes is it's inability to tarnish. By creating
your own metallic paints you are able to dictate the color
and choose a binder that is suitable to the job you have on
hand. By choosing a binder that does not yellow with time
you can have a surface coating who's life span exceeds today's
standards.
To create mica powders the stone, mica, is ground. Mica
cannot tarnish since it is not metal. It grows in a layered
structure, kind of like an onion, and has a mother of pearl
translucency. This is what gives mica powder it's fantastic
reflective quality.
When these mica platelets are ground they create a particle
that is many faceted. Bronze powder, the metallic pigment
of choice in the past, is basically a two faceted flake of
metal. Being metal, bronze powder has all of the oxidizing
properties of bronze itself. These pigments are usually stable
until the protective coatings are worn off or the metal content
of the coating chemically reacts with the binder. Since mica
is an inert rock it does not chemically react with any binder
during or after application.
When color matching is an issue micas are helpful because
they come in over 35 colors. Shades of gold, copper, silver,
pewter, mother of pearl with red, blue or violet hi-lites
and hornet blue/green. To achieve this the mica powder is
treated with titanium dioxide and/or ferris oxide. This treatment
does not make the powders chemically reactive in any way.
As with all pigment the size of the particle of color is important
and with some micas there is a choice between regular and
micro which is extra finely ground. An external mica is also
available in some colors and this particle is larger than
regular.
Micas can be mixed together for creativity and precision
when matching and creating coatings. In the past mixing your
own metallic coatings was hazardous because airborne metallic
powders are very toxic. There is no such hazard with mica
powder. The airborne particle is an inert rock instead of
a flake of metal.
It is important to note that when touching up or color matching
there will always be a significant difference between any
gold pigment and leaves of gold. When light hits a piece of
metal leaf, gold or other, the light is reflected off of a
single reflecting plain. When light hits a gold pigmented
surface the light is reflected off of many different reflecting
facets. This makes metallic paints grainy next to the way
light can travel on the surface of a metal leaf.
So why bother if it is not good enough? Well, because sometimes
we have to and we can. Micas mix easily by the brush stroke
or by the batch. This could be more economical then releafing.
The effects of graininess are not always visible from a distance.
Touch-ups in pigment could be restricted to shadowed or dark
areas and leafing only the highlights. Matte gilding can sometimes
be grainier than a finely pigmented, gold paint.
For restoration the advantage to mixing your own touch-up
medium is that you can insure easy removal when the time comes
for a complete overhaul. You should choose you binder accordingly.
Should you get the big renovation job and it is to be done
with conservatorial considerations, you will be glad you were
the one caring for it previously. You will be able to remove
old repairs with ease and without damaging the original gilding.
All surface coatings are a mixture of a binder and pigment
which means that mica is great for any type of surface coating
you need to have. Micas can also be brushed onto a surface
that has been coated with a binder instead of mixing the binder
and pigment before application. This makes for a more opaque
and even surface. The pigment adheres to the surface of the
binder. There is no need to seal this surface though one could.
The binders of choice for this technique are the traditional
linseed oil gilding size or the modern water based acrylic
gilding sizes. These sizes can also be pigmented with tinting
pastes exploding creative possibilities.
Micas powders are not new. They are in cosmetics, automotive
paints and plastics to mention a few. It is their use in decorative
painting and gilding that is revolutionary.
Grace Baggot
August 98'
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